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My first two novels were youthful and over-written. I have cut and revised both, and am now more satisfied with them. I don't expect to do this again, since I feel that I reached the stage of mastering my craft with The Year of Living Dangerously.
Two things preoccupy me as a novelist: the way in which many people search for a world just outside normal reality; and dualities: the dualities that run through both the human spirit and the world itself. It is the effort to reconcile these contradictions that makes for the pathos and drama I am interested in. Perhaps an Australian is attuned to duality more than some other writers, since he comes from a country born of Europe, but lying below Asia.
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