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While writing my novels, I find I use certain images again and again and that, although real, they acquire the significance of symbols. I imagine each writer ends by thus revealing his own mythology, a mythology that symbolizes his private morality and philosophy. One hopes, at the end of one's career, to have made some significant statement on life—not necessarily a water-tight, hard-and-fast set of rules, but preferably an ambiguous, elastic, shifting, and kinetic one that remains always capable of further change and growth.
Next to this exploration of the underlying truth and the discovery of a private mythology and philosophy, it is style that interests me most—and by this I mean the conscious labour of uniting language and symbol, word and rhythm. Without it, language would remain a dull and pedestrian vehicle. I search for a style that will bring it to vivid, surging life. Story, action, and drama mean little to me except insofar as they emanate directly from the personalities I have chosen to write about, born of their dreams and wills. One must find a way to unite the inner and the outer rhythms, to obtain a certain integrity and to impose order on chaos.
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