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Montoya's gypsy heritage also played an important role in his choice to become a musician. Gypsies had immigrated to Spain from India in the fifteenth century and were forced to settle in the Andalusian province. There, the Gypsies absorbed the folk cultures of the Arabs, Christians, Jews, and Spanish. Flamenco featured guitarists who improvised variations on a small number of chords as dancers tapped their toes and clicked castanets. Many maintained—as did Montoya—that only Gypsies could play flamenco with real heart. Montoya inherited this culture and was what the Spanish call "gitano per los cuatro costados," which meant he was Gypsy on all four sides of his family.
At the age of 14, the budding flamenco guitarist began to learn the tools of his trade by accompanying dancers in nearby towns. Montoya earned a dollar a day, which he used to buy wine for other players in exchange for lessons. Because he made so little money, he worked as a clerk during the day at the post office and later at a courthouse. His skill and reputation grew, and before he was 21 he had performed for famous dancers of ballet and flamenco including Juan el Estampio, La Camisona, and Antonio de Bilbao. In 1924 Montoya joined the army and was stationed in Morocco, where he remained for the next three years. During that time he continued to practice guitar and play for others. He moved to Madrid after completing his military service, and continued playing in cafés.
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