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After her parents divorced when she was ten, Chávez lived with her grandmother, mother, sister, and half-sister—an environment that Chávez credits for the strong female influences in her writing. Much as she loved hearing and telling stories, though, the young Chávez did not plan to become a writer. As a teenager she worked in a local hospital and aspired to be an actress. She attended Madonna High School, an all-girls Catholic school where, she told Boston Globe writer Alisa Valdes, "we learned we could do anything we wanted to, and were never told we couldn't succeed." There Chávez nurtured her budding interest in theater by performing in drama productions. She attended New Mexico State University, where she majored in drama and wrote her first play, The Wait, which won the New Mexico State University Best Play award. She went on to write several one-act plays in the 1970s and 1980s, and earned an M.F.A. in drama from Trinity University. In 1982 she earned an M.A. from the University of New Mexico. Many of Chávez's plays have been produced in New Mexico; Plaza, one of her best-known dramas, has been produced at the Edinburgh Festival in Scotland and at Joseph Papp's Festival Latino de Nueva York. Her one-woman show, Women in the State of Grace, in which Chávez herself has appeared, has been produced nationally since 1993.
Chávez has acknowledged many influences in her work, from Anton Chekhov and Garcia Lorca to the New Mexican writer Rudolfo Anaya, who became a mentor and friend. It was Anaya who encouraged the aspiring writer to enroll in the University of New Mexico's M.F.A. program. Perhaps more important, though, was that, as Chávez explained in a Publishers Weekly interview with William Clark, Anaya's work "opened the door to the value of my own culture, language, background."
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