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Colombia's political quagmire has even affected Botero's relations with his son, also called Fernando. The younger Botero was accused of accepting drug money when he served as campaign director for President Ernesto Samper's successful 1994 election, and the two did not speak for a time. In 1996, however, the Harvard-educated younger Botero, then serving as the country's defense minister, voiced public criticism of Samper and admitted that large sums had been donated to the campaign by drug kingpins.
In 2000 Botero began showing a series of paintings that reflected the recent decade of political violence in Colombia. One depicted Escobar's death, while others portrayed car bombings and bar massacres. Such subject matter was a distinct change from his usual bucolic style, he agreed in a Christian Science Monitor article. "Art should be an oasis, a place or refuge from the hardness of life," Botero told the paper. "But the Colombian drama is so out of proportion that today you can't ignore the violence, the thousands displaced and dead, the processions of coffins. Against all my principles, I had to paint [the violence]."
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