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Through high school Baez became more politically active. Her boycott of a school air-raid drill—on the grounds that it was false and misleading—landed her on the front page of the local paper and pleased her parents. She also traded in her ukulele for a guitar, and discovered Harry Belafonte and folk singers Pete Seeger and Odetta. As she performed more frequently—for friends and family, at school functions, in smoky dives, even out of town—she began to become nauseous and overwhelmed by stage fright that would stay with her throughout her career, though it only once kept her from the stage.
After high school, the Baez family moved to Boston, where Joan attended Boston University's School of Drama. She abandoned Boston University after one failed semester, and began her life as a troubadour, singing serious songs in the coffee houses around Harvard Square. Most notably, she drew a loyal following to Club 47. Her sister, Mimi, often took the stage with her, as she would for years to come. Baez performed barefoot and wearing knit tops from Latin America or India, and this was before the peasant-hippie look of the 1960s had become fashionable. She was first "discovered" by Time magazine at the Newport Folk Festival when she was 18. Though she received an offer from Columbia Records, she opted for the classical Vanguard label, which was less intimidating to a nervous teen-aged newcomer.
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