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Welch rocketed to stardom as a result of meeting a male American entertainment entrepreneur who made a career out of developing and promoting the talents of young female stars. Welch and publicist Patrick Curtis formed a company primarily devoted to the promotion of Welch's career; the pair married around 1967. Several more parts and a Life magazine photo spread brought Welch to the attention of the Twentieth-Century Fox studios; she was signed to a contract and was featured in the science-fiction film Fantastic Voyage (1966).
That film was widely acclaimed, but Welch's next few outings, mostly low-budget comedies made in Europe, were less prestigious. Still, Welch acquiesced in her growing image as sex symbol; she told Hispanic magazine that at the time she thought it was fun "to strut my stuff." That image grew into full flower with the 1966 British production One Million Years B.C., a remake of a tale set in prehistoric times that allowed Welch to strut her stuff in a bikini made of animal fur pelts. As a result she landed on the cover of over 100 magazines, although the film itself had been only a modest success.
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