Guy Gavriel Kay (1954–) Biography

Born 1954, in Weyburn, Saskatchewan, Canada; Education: University of Manitoba, B.A., 1975; University of Toronto, LL.B., 1978.

Addresses

Agent—c/o Author Mail, Roc Books, 375 Hudson St., New York, NY 10014.

Career

Practicing attorney, 1981–82; Canadian Broadcasting Corporation Radio, Toronto, Ontario, writer and producer in drama department, 1982–89; writer.

Member

Association of Canadian Television and Radio Artists, Law Society of Upper Canada.

Honors Awards

Scales of Justice Award for best media treatment of a legal issue, Canadian Law Reform Commission, 1985, for Second Time Around; Casper Award for best speculative fiction novel in Canada, 1986, for The Wandering Fire; Casper Award, 1987; World Fantasy Award nominee, and Aurora Award, both 1991, both for Tigana; Geffen Award for translation nomination, Israeli Society for Science Fiction and Fantasy, 2005, for The Lions of Al-Rassan; Canadian Sunburst Award nomination, 2005, for The Last Light of the Sun.

Writings

FANTASY FICTION

(Editor with Christopher Tolkien) J.R.R. Tolkien, The Silmarillion, Houghton (Boston, MA), 1977.

Tigana, Viking (New York, NY), 1990.

A Song for Arbonne, Crown (New York, NY), 1992.

The Lions of Al-Rassan, Viking (New York, NY), 1995.

The Last Light of the Sun, Roc (New York, NY), 2004.

"FIONAVAR TAPESTRY" SERIES; FANTASY FICTION

The Summer Tree, McClelland & Stewart (Toronto, Ontario, Canada), 1984, Arbor House, 1985, reprinted, Roc (New York, NY), 2001, 20th anniversary edition, HarperPerennial Canada (Toronto, Ontario, Canada), 2004.

The Wandering Fire, McClelland & Stewart (Toronto, Ontario, Canada), 1984, Arbor House, 1986, reprinted, Roc (New York, NY), 2001, 20th anniversary edition, HarperPerennial Canada (Toronto, Ontario, Canada), 2004.

The Darkest Road, Arbor House, 1986, reprinted, Roc (New York, NY), 2001.

"SARANTINE MOSAIC" SERIES; FANTASY FICTION

Sailing to Sarantium, HarperPrism (New York, NY), 1999.

Lord of Emperors, HarperPrism (New York, NY), 2000.

OTHER

Beyond This Dark House: Poems, Penguin Canada (Toronto, Ontario, Canada), 2003.

Also author of radio drama Second Time Around.

Kay's novels have been translated into Swedish, Spanish, Serbian, Bulgarian, German, French, Greek, Croatian, Polish, Minumsa, and Russian.

Adaptations

The Lions of Al-Rassan was optioned for film, 2005.

Sidelights

The fantasy novels of Canadian writer Guy Gavriel Kay have become bestsellers and have won critical acclaim for their appealing protagonists, lively pacing, and deft interweaving of complex plot lines. Best known for his "Fionavar Tapestry" trilogy from the mid-1980s, Kay has progressed from the pure fantasy genre into novels such as The Last Light of the Sun and Lord of Emperors, works of fiction that mine the treasures of medieval British and European history for inspiration. "Kay creates complex psychological characters and a rich sense of ambience, place and time," declared Washington Post Book World writer John H. Riskind, adding that Kay's novels are "resonant and powerful, almost impossible to put down, satisfying the reader on multiple levels."

Kay was born in a small town in the prairie province of Saskatchewan in 1954, and he grew up in nearby Winnipeg, Manitoba. His father was a surgeon, and his mother an artist. Kay went on to pursue a degree in philosophy from the University of Manitoba, but his education was interrupted by a fortuitous opportunity. Through a connection to the family of the woman who had become the second wife of famed British novelist J.R.R. Tolkien, Kay was introduced to Tolkien's son, Christopher. A medievalist by profession, the elder Tolkien gained a cult following with his 1937 fantasy novel The Hobbit, and continued the story about the mythological Middle Earth kingdom with a trilogy of books in the 1960s known as "The Lord of the Rings." Tolkien left behind a cache of other fantasy writings when he died in 1973, and Kay, a devoted enthusiast of the Tolkien books, was invited by Christopher Tolkien to England to help assemble the materials for publication. The result was The Silmarillion, published in 1977 to great success; Kay and Christopher Tolkien were listed as joint editors. "The public didn't have any idea who I was, except for the dyed-in-the-wool Tolkien junkies," Kay recalled to Maclean's writer Ann Jansen. "But the industry did, because The Silmarillion was a monstrous success."

Kay went on to earn a law degree from the University of Toronto in 1978, but practiced only briefly. Instead, he found an opportune way to merge his literary ambitions with his training, taking a job with the Canadian Broadcasting Corporation (CBC) in 1982 as a writer and producer of radio and television dramas. Kay was particularly associated with the television series The Scales of Justice, which dramatized landmark cases in Canadian history for seven years.

When publication of The Silmarillion not surprisingly incited a spate of derivative fantasy novels, Kay was dismayed by the second-rate imitators of Tolkien and the other masters of the genre that he found on bookstore and library shelves. As a result, he set to work writing his own series, "The Fionavar Tapestry." Its first installment, The Summer Tree, was published in 1984, and like all of Kay's books it became a tremendous commercial success. The novel introduces five University of Toronto students who find themselves suddenly immersed in an entirely different realm—that of Fionavar—and realize that they must fight to save both it and themselves.

As The Summer Tree opens, the Canadian students have been invited to a Celtic studies conference by a reclusive academic named Lorenzo Marcus. Marcus is actually an ambassador from Fionavar who has been charged with the task of bringing representatives from other universes back to Fionavar for a royal jubilee. Thus the students find themselves in a meta-world that possesses characteristics of many other worlds and mythologies; Fionavar is the "Weaver's World" where all of these other belief systems—Celtic tenets, Norse legends, matriarchal practices—find common ground. A magical Tapestry of Life is the repository for the answers as to how and why all these philosophies are interrelated.

Each of the five Toronto students featured in Kay's series has distinctive strengths and weaknesses, and these personality traits interweave during their interactions on Fionavar as well: Dave's self-esteem has been damaged by a father who favors his brother over him; Paul is grieving the breakup with his girlfriend, who recently died in an accident; Kevin is handsome and well-liked, but realizes his world is shallow; Jennifer's heart has been saddened by the end of a relationship; and Kim is a loner. As The Summer Tree gets underway, the students learn that Fionavar is in grave danger: the malevolent Rakoth Maugrim, imprisoned for a thousand years, has escaped and plans to abscond with the Tapestry of Life. The group of five ally with an exiled prince to save Fionavar, and in the course of their quest discover that they each possess a special power. In the end, one has sacrificed his life, and Jennifer has been sexually assaulted by Rakoth.

Booklist reviewer Sally Estes called The Summer Tree "an ambitious undertaking that succeeds in itself and as a precursor of what is to come." Though the work does invoke comparisons to Tolkien's writings, in the St. James Guide to Fantasy Writers essayist Maureen Speller called Kay "among the foremost modern fantasy writers on the strength of the Fionavar Tapestry." Speller noted that while Kay's books and Tolkien's classic cycle share some similarities, the former "nevertheless set a new standard in what could be achieved in original fantasy writing."

The second installment of the "Fionavar Tapestry" trilogy, The Wandering Fire, was published in 1986. Set a year after the first novel, the book finds the students returning to Fionavar, and Jennifer is carrying Rakoth's child, which is not expected to survive. A perpetual winter has descended upon Fionovar, the curse of a wicked magician who has allied with Rakoth. However, the students have brought with them representatives from the Arthurian legends to assist them in saving the Tapestry of Life. Jennifer emerges as the Arthurian female Guinevere, and a cabal of virtuous deities help the students shatter the magic cauldron and end the world's
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long winter. While one student ultimately loses his life in a sacrifice to the Mother Goddess on Midsummer's Eve, he remains a guiding spirit in the plot. Booklist reviewer Estes termed The Wandering Fire "a most satisfying sequel" and a book "rich in mythological lore."

Critics also commended Kay for creating a believable cast of innocents who, like readers, are utterly unfamiliar with the strange universe of Fionavar. His deft and full delineation of each character is considered one of the trilogy's primary strengths, and his convincing description of a complex world has won additional praise.

Kay concluded the "Fionavar Tapestry" trilogy with The Darkest Road, published in 1986. As it opens, spring finally arrives, but the seasonal rains bring disease. Kim persuades a nation of giants known as the Paraiko to take their side, and the armies of good arrive at Rakoth's fortress to do battle. "Even the prose weighs a ton," noted a Kirkus Reviews assessment of The Darkest Road, commenting that Kay's intricate layering of plot, action, and cast creates "a density that's often impenetrable." In the novel, Jennifer's son Darien, feeling that the pro-Fionavar forces have rejected him because of his mixed heritage, steals a dagger with magical properties and leaves home, ostensibly to fight on Rakoth's side. Darien becomes "the random thread in the Weaver's story, the one who can control many destinies by his choice," explained Penny Blubaugh in the Voice of Youth Advocates. "Like Tolkien, Kay recognizes that there must be sacrifice as well as a happy ending and the Fionavar trilogy is more successful than most modern fantasies for acknowledging this," observed Speller in the St. James Guide to Fantasy Writers.

The "Fionavar Tapestry" books were a success for Kay and were published in both English and foreign-language editions. By 1989 he had quit his job with the CBC, although he later acknowledged that his years writing radio and television dramas helped give his works the gripping pace so often cited by critics. "I proudly acknowledge my sense of the operatic and theatrical," he told Ann Jansen for Maclean's. "I want to give the readers that page-turning energy." Having traveled to Crete and New Zealand to write two of the "Fionavar" books, Kay now arrived in Tuscany, beginning the research for his next project, Tigana, which was published in 1990. Here he created another fantasy world, one that bears some resemblance to Renaissance Italy.

In the novel, Tigana is threatened by sorcerer-king Brandin, who battles to erase from history the very word "Tigana." The Mediterranean realm was once a powerful and noble kingdom, but Brandin's beloved son died in a battle against it, and he has made its destruction his revenge. After erasing its borders, he has been able to cast a spell that renders the very word Tigana unhearable. A few surviving Tiganans band together to fight him, and their lost prince, Alessan, and a troubadour named Devin also join the cause. The courtesan Di-anora becomes a spy in Brandin's camp, and achieves in the end what bloodshed could not. Reviewing the novel for Voice of Youth Advocates, Edith S. Tyson termed Tigana an even more intricate creation than the "Fionavar Tapestry" trilogy. "This well crafted, fully realized mega-fantasy is designed to appeal to the fans of Tolkien and Donaldson," Tyson wrote. "It is not for casual readers or for the faint of heart."

Other reviewers found problems with Kay's post-"Fionavar" effort, and commented that the characters in Tigana do not emerge as clearly as the well-rounded personalities who saved Fionavar. The troubadours, outlaws, exiles, and magicians who make up the novel's large cast were faulted for being too attractive and heroic. Some critics also found that the intersection of an array of mythologies and worlds was confusing. "There is a sense that this novel was intended to be much more closely related to the Fionavar trilogy than it is now," assessed Speller in the St. James Guide to Fantasy Writers.

Kay returns to the Mediterranean world for his 1992 fantasy A Song for Arbonne, which takes place in a medieval Europe where Christianity never took hold. Arbonne is located in Provence, a region that is now part of the south of France; here, a more progressive outlook on gender issues fostered the rise of the troubadour in the twelfth century. These wandering poets/musicians sang verse in a dialect called langue d'oc, addressing romantic love, nature, and war in their songs. In Kay's novel, the most famous among them is Bertran of Arbonne. In contrast to the peace in Arbonne, the disintegrating patriarchal kingdom of Gorhaut is ruled by the brutal, corrupt King Ademar. Blaise, an honorable young man from Ademar's court, flees south to Arbonne, where he becomes a mercenary soldier in the war now raging between the two countries due to Arbonne's defense of its heretical worship of a female deity. Blaise eventually challenges Ademar for the throne.

The liberal climate and revolutionary rethinking of masculine and feminine behaviors in Provence and the Languedoc region—before they became an actual part of France—came to a repressive close with the real-life events surrounding the Albigensian Crusade. Kay's novel, however, has a more positive ending. As the author explained to Ann Jansen in Maclean's, "I'm basing my works on a period, but I'm not writing about that period. I reinterpret it in order to allow for some reflection on how we didn't have to end up where we are today."

A Song for Arbonne was published to positive reviews. "This panoramic, absorbing novel beautifully creates an alternate version of the medieval world," wrote a Publishers Weekly reviewer. Candace Smith, writing in Booklist, described it as a "lush, lengthy medieval saga" with a "compelling narrative," although St. James Guide to Fantasy Writers essayist Speller faulted A Song for
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Arbonne for its scope. "The novel is strong on background flavor, and many of its characters are as attractive as those in Tigana, but the plot might easily have been accomplished in half the pages," Speller remarked.

Kay's next novel, The Lions of Al-Rassan, also tackles an historically significant epoch by creating a complex series of nations and alliances under entirely fictitious names. Many critics remarked that The Lions of Al-Rassan recalls a period of Spanish medieval history when Christians, Moors, and Jews enjoyed a tenuous but culturally rich coexistence. The novel is set on a peninsular land called Esperana that is ruled by Asharites who had come from desert lands. As the story opens, this once-powerful group's hold on the conquered land is waning. Esperana has disintegrated into rival city-kingdoms, and a holy war against the imperialist Jaddites seems imminent. The Jaddites are led by Rodrigo Belmonte, and two other characters who play crucial roles: a female physician and a poet-courtier. The novel comes to an emotionally wrenching conclu-
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sion. Margaret Miles, writing in Voice of Youth Advocates, called The Lions of Al-Rassan "yet another monumentally impressive historical novel." Kay's heroes and the wide cast of other figures "come vividly to life," Miles added, noting that the book is "set in the matrix of an equally vivid and complex society and involved in a plot as intricate and subtle as the characters themselves."

Sailing to Sarantium begins Kay's "Sarantine Mosaic" series, and also features a Mediterranean backdrop. The book's protagonist is a mosaic artisan living in Rome at the time of the Visigoths in the sixth century. The Roman Empire has fallen, and the center of power has shifted eastward to Sarantium, an ersatz Byzantine empire. The artisan, Caius Crispin, plans to travel to Sarantium's capital to work on a massive mosaic project for the city's famous church. The invitation had been extended to Crispin's mentor, Martinian, but because of his age, Martinian asked Crispin to go in his place. Since Crispin has recently lost his entire family in a plague, he accepts the mission. Before he departs, the queen learns of his plans and she sends with Crispin a secret message to deliver to Sarantium's brutal emperor. Along the way, Crispin rescues a prostitute, and after arriving in Sarantium he becomes embroiled in local political and religious discord between the competing Blues and Greens, gangs of charioteers that rule the city. "Sarantium also harbors intriguing elements of magic, adding the chiaroscuro of pagan blood-worship and alchemic transmutation to this tale about a people terrified of darkness and night," observed John Burns, writing in Quill & Quire. A Publishers Weekly reviewer remarked that "Kay is at his best when describing the intertwining of art and religion or explicating the ancient craft of mosaic work."

In the concluding book in the series, Lord of Emperors, Crispin finds his work on the mosaic disrupted by Sarantium's political infighting. His involvement with a physician and spy from Bassania, as well as an exiled queen and others connected with the palace soon draws him into the escalating battle between the city's competing political factions. Writing in Booklist, Roland Green praised the novel for "fulfilling the promise of Sailing to Sarantium magnificently," while in The Magazine of Fantasy and Science Fiction Charles De Lint praised Crispin as a man with "a clever wit and a strong sense of honor." De Lint also noted that the two-book series represents a transition for Kay, because Lord of Emperors isn't a fantasy novel…. And since the entire story is set in a world that never was, it's not exactly an historical novel either." Instead, Kay creates a quasi-history that "allows him to rewrite history as we know it so that he can play out the struggle of his characters as best suits the requirements of his story," De Lint explained, adding that the novel exhibits "Kay's sheer gift with language."

Kay sets The Last Light of the Sun in a harsh world that melds the histories of Celts, Anglo-Saxons, and Vikings. In Kay's story, the Anglycyns and Erlings are competing island tribes. Into this world comes Bern Thorkellson, driven from his home country due to the transgressions of his father and determined to vengeance for his mis-treatment. Thorkellson leads raiding parties into to the southern lands of his new island home and becomes allied with the Erlings, whereupon Aeldred, king of the Anglycyns, musters forces to stop him. Praising the novel as a "wonderfully imaginative historical fantasy," a Publishers Weekly reviewer added that Kay's novel contains several plot threads that "come together to weave a dazzling tapestry of conjoined fates." In Booklist, Freida Murray noted that the novel "poses intriguing historical riddles" regarding the ancient British and Welsh history it draws on, while a Library Bookwatch contributor deemed it a "compelling fantasy saga."

Regarding his chosen genre, Kay told a Locus interviewer: "I'm beginning to see fantasy as a way of looking at history, as an antidote to what they call 'faction'—fiction using real people, real lives, and
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embedding them in narrative." "In Sailing to Sarantium and Lord of Emperors," he explained, "the reign of Justinian and Theodora, with Count Belisarius and the eunuch Narses, is clearly my source, but I'm saying right from the beginning that this is not even pretending to know what the real people were like. It's a fantasy on themes."

Kay's novels usually take up to a year to research, and another year to write. Creating entirely fictional characters who participate in actual historic events and sometimes even alter their outcome has allowed his creativity to flourish and gained him a committed readership among both fantasy and history buffs. "I lack the utter autonomy some writers have," Kay told a writer for Maclean's. "I don't want to write on the back of a real person. That smacks of hubris."