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The final book in the "Hex" trilogy is Ghosts. In this book Raven and the others save a pair of siblings whose mother passed on to them a computer file just before she died. The file contains critical information about the Hexes and their future, and reveals that the group now faces dangers from the government and the world's computer system. In School Library Journal, Molly S. Kinney remarked that "the strength of the characters, their willingness to fight, their survival instinct, and goodness ring true, even if everything is a little glossed over." Praising the "Hex" trilogy as "tautly plotted and exciting to the max," Booklist reviewer Estes concluded that series conclusion Ghosts. "will satisfy readers."
In an online interview for Achuka, Lassiter discussed how she came to write the "Hex" trilogy, noting that she first thought up the story "when I was seventeen and wrote most of it when I was eighteen. It was accepted for publication shortly after my nineteenth birthday." "I wanted to set 'Hex' in London because it's a city I know well but when I started writing . . . I came up with an image of a city with incredibly high buildings where the heights were gleaming and beautiful and the depths hidden from sight. It occurred to me quite soon that the two ideas were complementary and from that was created a London which had swallowed its own history, building on top of the ancient parts of the city in an effort to progress."
In addition to penning fantasy fiction, Lassiter has teamed up with her mother to edit Lines in the Sand: New Writing on War and Peace, a book containing writings about war. Intended to shed light on the war in Iraq and its impact on people at a personal level, this book features the work of numerous children's authors, poets, and artists. Topics include the Crusades, the Holocaust, and revolutionary violence occurring in Nigeria, and Kosovo. Hazel Rochman, reviewing Lines in the Sand for Booklist, wrote that while some of the material is a little heavy-handed, much of it is less propaganda and more storytelling. The critic added that the most effective entries "bring the suffering close to home," and cited the work as a useful springboard for discussion "both in and out of the classroom." All profit from the sale of Lines in the Sand were earmarked for UNICEF.
Biographical and Critical Sources
PERIODICALS
Booklist, January 1, 2002, Sally Estes, review of Hex, p. 842; April 15, 2002, Sally Estes, review of Ghosts, p. 1395; February 1, 2004, Hazel Rochman, review of Lines in the Sand: New Writings on War and Peace, p. 968.
Kliatt, March, 2002, Susan Cromby, review of Hex, p. 24.
School Library Journal, April, 2002, Ronni Krasnow, review of Shadows, p. 152; January, 2003, Molly S. Kinney, review of Ghosts, p. 140.
ONLINE
Achuka.co.uk, http://www.achuka.co.uk/ (February 3, 2005), interview with Lassiter.
Rhiannon Lassiter Home Page, http://www.rhiannonlassiter.com (February 3, 2005).*
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